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<!--Generated by Squarespace Site Server v5.9.1 (http://www.squarespace.com/) on Tue, 09 Feb 2010 14:06:24 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Yazzy's at WilliamVerdult.com Features</title><link>http://www.williamverdult.com/features/</link><description></description><lastBuildDate>Sun, 18 Oct 2009 15:13:21 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.9.1 (http://www.squarespace.com/)</generator><item><title>How to get Your Banker to say Yes, for a Loan or Collateral backed by Verdult Art.</title><category>Collateral</category><category>Funding</category><category>Loan</category><category>Loan and Funding</category><dc:creator>AP</dc:creator><pubDate>Sun, 18 Oct 2009 15:13:21 +0000</pubDate><link>http://www.williamverdult.com/features/2009/10/18/how-to-get-your-banker-to-say-yes-for-a-loan-or-collateral-b.html</link><guid isPermaLink="false">114174:1525341:1265963</guid><description><![CDATA[<p><img class="style1" style="width: 259px; float: right; height: 260px;" src="http://i141.photobucket.com/albums/r71/blackstocks/f1.gif" alt="" />We receive many emails and calls from people explaining that they want to use a Verdult painting for collateral but they are having problems.</p>
<p>Once we ask some basic questions, we find out the problem. Most people seeking to use their art for collateral for whatever reason fail to do their home work and are not knowledgeable about the asset that they do have. This lack of knowledge severely reduces the chances of receiving any sort of serious consideration in using their art for collateral.</p>
<p>Why? Most assume that art is like other major asset classes, stocks, bonds, real estate, and cash and that its value is fully transparent. In other words, though art is swiftly moving toward total acceptance and there have been many studies on this point, art is not there yet. Art by&nbsp;Rembrandt, Picasso, and Warhol are virtually transparent and easily tradable, most art is not.</p>
<p><strong>What should you do if you want to use Verdult art as collateral? Take these steps.</strong></p>
<p>1) Make sure you have the proper basic documents.</p>
<p>Documents include the <a title="Certificate of Authenticity" href="http://www.williamverdult.com/appraisal-request/">Certificate of Authenticity (COA)</a> and Bill of Sale or Certificate of Provenance.</p>
<p>2) Make sure that you have a bio of Verdult.</p>
<p>There are all kind of people, and arm chair quarter backs who know very little about Verdult, or what they do know is not accurate. So an Official Bio (either a <a title="Short Bio- Quick Take" href="http://www.verdultart.com/ProductDetails.asp?ProductCode=YPC%2D8XCE">short bio</a> or <a title="Full Bio as Well as Breif Info on sales and abd exhibits" href="http://www.verdultart.com/ProductDetails.asp?ProductCode=YPC%2D9XCE">extended bio</a>) gives you a ready reference to prove and support your position that Verdult art work is world class and worthy of use as collateral.</p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1265963.xml</wfw:commentRss></item><item><title>Verdult artwork - Moving beyond a hope and a prayer.</title><category>Feature Story</category><dc:creator>AP</dc:creator><pubDate>Sun, 06 Sep 2009 14:00:19 +0000</pubDate><link>http://www.williamverdult.com/features/2009/9/6/verdult-artwork-moving-beyond-a-hope-and-a-prayer.html</link><guid isPermaLink="false">114174:1525341:1255822</guid><description><![CDATA[<p><a href="http://www.blogverdult.com/WindowsLiveWriter/VerdultartworkMovingbeyondahopeandapray_437F/Prayer%5B4%5D.jpg"><img style="margin: 15px 20px 0px 0px; width: 193px; float: left; height: 262px; border-width: 0px;" src="http://www.blogverdult.com/WindowsLiveWriter/VerdultartworkMovingbeyondahopeandapray_437F/Prayer_thumb%5B2%5D.jpg" alt="" /></a> As we stressed in our post on <span style="color: #003366;">"William Joseph Verdult - Where's My $5 million?"</span><a href="http://www.williamverdult.com/features/2007/9/13/william-joseph-verdult-wheres-my-5-million.html"> </a>we are moving beyond just a hope and a prayer in valuing Verdult artwork.</p>
<p>More and more you see Verdult art work and summary of the artist showing up in the data bases of major websites responsible for tracking major listed artist around the world.</p>
<p>In February of last year, we completed a major initiative to get William Joseph Verdult listed on <a class="offsite-link-inline" href="http://www.artprice.com/" target="_blank"><span style="color: #003366;">artprice.com</span> </a>which list major artist around the world. In addition to supplying extensive background information on Verdult including the <span style="color: #003366;"><a class="offsite-link-inline" href="http://www.verdultart.com/SearchResults.asp?Cat=6" target="_blank">Official bio and Verdult Scrapbook</a></span>, we provided several hundred background documents not previously released to the public.</p>
<p>Last year in addition to <a href="http://www.williamverdult.com/press/"><span style="color: #003366;">releasing a number of press releases</span> </a>on Verdult artwork to keep the Verdult name in the public's eye, we were also successful in getting William Joseph Verdult listed on <span style="color: #003366;"><a class="offsite-link-inline" href="http://www.askart.com/" target="_blank">Askart.com</a></span>.</p>
<p>This year are completing arrangements to get William Joseph Verdult listed both here in the United States and in Europe on perhaps the largest on-line organization responsible for tracking Verdult artwork. Not only will this organization include William Joseph Verdult as a listed artist; prices of William Joseph Verdult artwork will be included in the data base as well.</p>
<p><a id="more"></a></p>
<p class="entry-more">Why is this important? In order for owners of William Joseph Verdult artwork to remove beyond a hope and a prayer in knowing and receiving cash for William Joseph Verdult artwork, these major on-line establishments must have verifiable records of cash sales of Verdult artwork.</p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1255822.xml</wfw:commentRss></item><item><title>My Verdult has an Insurance appraisal of $125,000 I need to know the fair market value.</title><category>Appraisal</category><category>Fair Market Value</category><category>Feature Story</category><category>Value</category><category>Value</category><dc:creator>AP</dc:creator><pubDate>Wed, 02 Sep 2009 13:00:56 +0000</pubDate><link>http://www.williamverdult.com/features/2009/9/2/my-verdult-has-an-insurance-appraisal-of-125000-i-need-to-kn.html</link><guid isPermaLink="false">114174:1525341:1259295</guid><description><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><a href="http://www.verdultart.com/Nina_by_William_Verdult_p/ypc-21xce101.htm"><img src="http://www.verdultart.com/v/vspfiles/photos/YPC-21XCE101-2T.jpg?__SQUARESPACE_CACHEVERSION=1246852229918" alt="" /></a></span><span class="thumbnail-caption" style="width: 187px;">Nina - Click for details</span></span> Question:</strong><br />I am going through a divorce, and trying to separate property. While my Verdult has an "insurance appraisal" of $125,000 I need to know what the fair market value is. Thanks.</p>
<p><strong>Answer:<br /></strong><span style="color: #000000">Please see our previous posts on value. here is the answer to your specific question:</span></p>
<p>Reference: The Fair Market Value for Artwork by William Joseph Verdult</p>
<p>There is a distinct difference between the value listed on a Certificate of Authenticity and Insurance Appraisal (COA) provided by the artist/company for the artwork created by William Joseph Verdult; and the artwork&rsquo;s fair &ldquo;market value&rdquo;. The COA bearing the artist&rsquo;s original signature contains the artist/company&rsquo;s estimate of value and serves a dual purpose. The COA from the artist/company serves as proof that you have an authentic work and gives a guide for the replacement value. The COA basically says this work is authentic and if something happens to it and the work is required to be replaced, then according to the artist/company, the value on the COA is what it would cost to replace the artwork. This is a more subjective value.</p>
<p>The fair &ldquo;market value&rdquo; of a painting by William Verdult is determined by either a direct cash sale or by a third party independent appraiser sanctioned by the appropriate regulatory agencies and an expert in the field of appraising William Verdult artwork.</p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1259295.xml</wfw:commentRss></item><item><title>What is the real price of Verdult artwork?</title><category>Value</category><dc:creator>AP</dc:creator><pubDate>Fri, 07 Aug 2009 14:00:20 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/7/what-is-the-real-price-of-verdult-artwork.html</link><guid isPermaLink="false">114174:1525341:1257661</guid><description><![CDATA[<p>First, let me explain how we initially got into the art business and then I’ll get back to the true price of a piece of William Joseph Verdult artwork. </p>

<p><a href="http://i141.photobucket.com/albums/r71/blackstocks/_AAjj.jpg" atomicselection="true"><img height="240" src="http://blackstocks.typepad.com/verdult/WindowsLiveWriter/45db89504964_9EB5/image%7B0%7D_thumb.png" width="180" align="left" border="0" style="BORDER-TOP-WIDTH: 0px; BORDER-LEFT-WIDTH: 0px; BORDER-BOTTOM-WIDTH: 0px; MARGIN: 10px 35px 25px 0px; BORDER-RIGHT-WIDTH: 0px" /></a> In 2003 in establishing a public company in a totally separate industry – child care to be exact, we were approached by a gentleman by the name of Dave. Dave was interested in owning some shares of a new public upstart in exchange for some art – some William Joseph Verdult artwork. </p>

<p>At the time, though I did not know much about Verdult artwork, it seemed like a good idea to exchange some stock for art to develop the corporation. The initial intent was to either hold on to the artwork, or sale it to increase the corporation’s asset base. </p>

<p>In looking back, as they say, hind sight is always 20…20, there were two major problems with this approach. </p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1257661.xml</wfw:commentRss></item><item><title>WEALTH MANAGERS are getting bullish on art.</title><dc:creator>AP</dc:creator><pubDate>Wed, 05 Aug 2009 14:00:46 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/5/wealth-managers-are-getting-bullish-on-art.html</link><guid isPermaLink="false">114174:1525341:1263961</guid><description><![CDATA[<p style="margin: 0in"><img style="float: left; margin: 10px 15px 10px 0px" src="http://i141.photobucket.com/albums/r71/blackstocks/_Ajj.jpg" /></p><p>The Wall Street Journal in its August, 2006 edition pointed out that wealth managers are getting bullish on art. More and more managers and financial institutions are taking aggressive action to attract more customers and clients offering more services to help include art in their asset base. Private banks and brokerage firms are beefing up in-house groups that help clients navigate the art market and manage their collections, which can be valued at millions of dollars. </p><p>The art-advisory service at Citigroup Inc.'s private bank is hiring its sixth art specialist, double the number it had in 2002. At UBS AG's art-banking group in Basel, Switzerland, a dozen specialists cater to clients' art needs, double the number when the group started in 1998. </p><p>American International Group Inc.'s AIG Private Client Group unit is expanding its art-underwriting department and a loss-management group that visits clients' homes to evaluate the vulnerability of their artworks to fire, flood </p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1263961.xml</wfw:commentRss></item><item><title>William Verdult Forces for Change</title><category>Verdult Art market</category><dc:creator>AP</dc:creator><pubDate>Tue, 04 Aug 2009 14:00:24 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/4/william-verdult-forces-for-change.html</link><guid isPermaLink="false">114174:1525341:1270083</guid><description><![CDATA[<p><span class="full-image-float-left"><img style="width: 320px; height: 268px" alt="f4.gif" src="http://i141.photobucket.com/albums/r71/blackstocks/f4.gif" /></span></p><p><a href="http://www.williamverdult.com/features/2007/9/20/positive-and-negative-forces-affecting-the-verdult-art-marke.html">In yesterday's post </a>on a sister site we looked at positive and negative forces affecting the Verdult art market. Basically what we did we was look at forces from what is called a Force Field Analysis Approach. According to Wikipedia, Force field analysis developed by Kurt Lewin is one of the most influential developments in the field of social science. Force field analysis provides a framework for looking at the factors (forces) that influence a situation, either driving movement toward a goal (helping forces) or blocking movement toward a goal (hindering forces). Lewin's principle is a significant contribution to the fields of social science, psychology, social psychology, organizational development, process management, and change management. </p><p>If we look at the Verdult Art Market from Lewin's Force Field Analysis Perspective this is basically how things will stack up. </p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1270083.xml</wfw:commentRss></item><item><title>William Joseph Verdult - Where's My $5 million?</title><dc:creator>AP</dc:creator><pubDate>Mon, 03 Aug 2009 14:00:22 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/3/william-joseph-verdult-wheres-my-5-million.html</link><guid isPermaLink="false">114174:1525341:1255827</guid><description><![CDATA[<style type="text/css">
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<h3 class="entry-header" editor_id="mce_editor_0">
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<img style="border-width: 0px; float: left;" height="205" src="http://www.blogverdult.com/WindowsLiveWriter/8bf7d6625237_71C5/Money_thumb.jpg" width="271" border="0" editor_id="mce_editor_0" class="style1" /></a>
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		<p>Why do you see some listings especially on eBay that state, William 
		Joseph Verdult for sale $925,000.00 or even $5,000,000? </p>
		<p>Often this figure, which to some may seem astronomical, is the value 
		most often set by the artist, in this case, William Joseph Verdult. 
		Normally that value is placed when the painting is created or updated 
		later by Verdult or the Corporation. This value is included on what is 
		called a Certificate of Authenticity and Insurance Appraisal or COA. </p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1255827.xml</wfw:commentRss></item><item><title>XX marked the spot to buy art, Yazzy's at www.williamverdult.com</title><category>Feature Story</category><dc:creator>AP</dc:creator><pubDate>Sun, 02 Aug 2009 14:00:37 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/2/xx-marked-the-spot-to-buy-art-yazzys-at-wwwwilliamverdultcom.html</link><guid isPermaLink="false">114174:1525341:1848499</guid><description><![CDATA[<p><span class="full-image-float-none"><img alt="190730-63670.jpg" src="http://a123.g.akamai.net/f/123/12465/1d/media.canada.com/idl/otct/20080519/190730-63670.jpg" /></span><br /><br />The Ottawa Art Gallery's art auction, XX, marked the social hotspot Thursday with nearly 400 partygoers piling into the Arts Court to enjoy some of the most delicious food around while also outbidding each other on more than 60 pieces of artwork.</p><p>The popular event celebrated the OAG's 20th anniversary (hence the name, XX) and raised about $55,000 for its exhibition and educational programs. The organizing committee was headed up by family therapist Susannah Dalfen and included the Urban Element's Carley Schelck as co-ordinator of the participating restaurants and caterers.</p><p>Some kibitzing with up-and-coming artist Sarah Hatton revealed she's been both productive (her paintings are now in Montreal and Switzerland galleries) and reproductive (she has a 10-month-old daughter, Stella). Mixed media artist Reuel Dechene showed no signs of cold feet over his plans to tie the knot at City Hall the next day with figurative painter Eliza Griffiths. Arts patrons Glenn and Barbara McInnes were seen chatting with painter Duncan de Kergommeaux, from whom they bought their first painting years ago.</p><p>In the largest exhibit room, Les Foug&egrave;res co-owners and chefs Charles Part and Jennifer Warren-Part prepared culinary delights alongside another staunch art auction supporter, Sheila Whyte and her team from Thyme &amp; Again.</p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1848499.xml</wfw:commentRss></item><item><title>You Can’t Hold It, but You Can Own It, Yazzy's at www.williamverdult.com</title><category>Feature Story</category><dc:creator>AP</dc:creator><pubDate>Sat, 01 Aug 2009 14:27:00 +0000</pubDate><link>http://www.williamverdult.com/features/2009/8/1/you-cant-hold-it-but-you-can-own-it-yazzys-at-wwwwilliamverd.html</link><guid isPermaLink="false">114174:1525341:1395393</guid><description><![CDATA[<div class="byline"><span class="full-image-float-none"><img style="width: 568px; height: 343px" alt="25mids.large2.jpg" src="http://graphics8.nytimes.com/images/2007/11/25/arts/25mids.large2.jpg" /></span><br /><font size="1">David Weightman</font><br /><br />According to an article in the New York Times, ART can be defined, provocatively, as an intangible quantity that transforms an ordinary object &mdash; a urinal, a soup can, an unmade bed &mdash; into something worth many times more than its material value. Tino Sehgal seeks to isolate precisely that intangible quantity. His art is completely immaterial; it can be bought and sold without involving any objects whatsoever. <br /><br /></div><div id="articleBody"><p>Mr. Sehgal, 31, who lives in Berlin, creates what he calls &ldquo;staged situations&rdquo;: interactive experiences that may not even initially declare themselves as works of art. Take &ldquo;This Is New,&rdquo; in which an attendant quotes a museumgoer a headline from that day&rsquo;s papers: only the visitor&rsquo;s response can trigger an interaction that concludes with the work&rsquo;s title being spoken. Or &ldquo;This Success/This Failure,&rdquo; in which young children at play in an empty room attempt to draw visitors into their games, and after a certain time decide themselves whether the result has been a success or a failure. Or &ldquo;This Situation,&rdquo; a more complex piece, with six adult players, which opens at the Marian Goodman Gallery on Friday and is Mr. Sehgal&rsquo;s first New York show.</p><p>Part of the point is to free art from the glut of material overproduction. But Mr. Sehgal, unlike many performance artists, is not protesting the art market itself. His work is specifically conceived to function within the art world&rsquo;s conventions: it is lent and exhibited, bought and sold. It is sold, in fact &mdash; now that Mr. Sehgal is becoming a star in Europe &mdash; for five-figure sums</p></div>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1395393.xml</wfw:commentRss></item><item><title>for Da Vinci's Lost Masterpiece, Yazzy's at www.williamverdult.com</title><dc:creator>AP</dc:creator><pubDate>Fri, 31 Jul 2009 14:26:24 +0000</pubDate><link>http://www.williamverdult.com/features/2009/7/31/for-da-vincis-lost-masterpiece-yazzys-at-wwwwilliamverdultco.html</link><guid isPermaLink="false">114174:1525341:1330525</guid><description><![CDATA[<p><span class="full-image-float-none"><img style="width: 555px; height: 317px" alt="anghiari_630x.jpg" src="http://www.wired.com/images/article/full/2007/10/anghiari_630x.jpg" /><br />Peter Paul Rubens' copy (circa 1603) hints at what Leonardo's lost fresco, the <cite>Battle of Anghiari</cite> might be like. <em><br />Image:&nbsp;Courtesy of drawingsofleonardo.org/ </em></span><br /><br />According to Nicole Martinelli of wired.com, art diagnostician Maurizio Seracini has waited 30 years to get to the bottom of his biggest mystery yet: whether Leonardo da Vinci's greatest lost fresco lies behind a wall in the Palazzo Vecchio here.</p><p>Seracini's team of 30 will scan the palazzo's 177-foot-long wall in mid-November, looking for the <cite>Battle of Anghiari</cite>, a work so magnificent it has been called the &quot;school of the world.&quot; The $1.5 million search expedition will jump-start a multidisciplinary conservation program at the University of California at San Diego's Center of Interdisciplinary Science for Art, Architecture and Archaeology.</p>]]></description><wfw:commentRss>http://www.williamverdult.com/features/rss-comments-entry-1330525.xml</wfw:commentRss></item></channel></rss>